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XO type of dream. 1st bottle

プリント1:東京 (Engraving 1: Tokyo)

The ferry, despite all its tons of displacement, glides over the waves like it’s made of silk. Water explodes away from its prow in white foamy curls with a delicate — and yet somehow theatrical — fffsss-shhh! Tropical isles with their impossibly chic beaches and fearless fish slowly melt into the distance. Metaphorically speaking, a long flight home awaits; practically speaking, the port city of Naha, Okinawa’s capital, is looming up ahead.

Standing on the bow of the gently rocking ferry with my wife in my arms, it’s hard to believe we’ve already burned through fifteen days in the country I’d dreamed about for so long. At the same time, a quiet relief hums inside me — the trip is barreling toward its final phase and soon we’ll be able to properly digest the freakishly massive haul of impressions we’ve hoarded in these two weeks. 

I wanted to come to Japan back when I was still a student, and I carried that wish like a secret coin through many years. When the pile of money finally began to look like the kind you actually need for a decent trip, fear and indecision crept in. Japan was my holy grail. There was nowhere else on Earth I wanted to go with the same stubborn hunger. “What if I don’t like it?” “What if, after this, nothing will ever feel as precious?” Those little doubts kept putting the trip off, again and again. But after the global lockdown, Japan lost a huge chunk of tourism revenue and the government started loosening visa rules like crazy. I can’t think of another justification for such dramatic simplifications. It became obvious: postponing the dream was no longer an option — we had to go, and fast.

“Now I know why I work.” Nastya said that in the Sheremetyevo business lounge while sipping sparkling wine. We had a couple of hours before boarding, so we decided to spend them in comfort. Ahead of us was a flight to Tokyo with a transfer in Beijing. Yes — we were about to finally do the sacred thing: step foot in Japan and answer the stubborn question once and for all: “Was it worth all those years of waiting?”

Our meat-suit transportation duties were handled by China Southern Airlines, and they did their job with mechanical grace. Seats were comfortable, the food was decent, and the little media console in the headrest offered a buffet of movies and games to keep cabin ennui at bay.

The only tiny cloud of anxiety was China’s borderline obsessive policy about power banks. Customs officers there truly seem to consider spare batteries to be ticking bombs and firmly believe they have no business aboard a plane. There’s one concession: devices stamped with “CCC” on the case. That mark supposedly certifies that the battery has survived every imaginable and unimaginable test and won’t randomly burst into flames to add zest to someone’s flight. 

Out of our four power banks, only one sported that holy CCC badge. So we handed over the other three at check-in with a feeling that we were consigning them to a black hole. When the tray with our power banks rolled up to the eagle-eyed customs guy, he inspected every notch and seam with the kind of scrutiny usually reserved for priceless artifacts, then flashed a narrow, unfriendly look and ordered us to follow him. Crestfallen, we went along, bracing ourselves to rely on a single charger for the rest of the journey and to buy replacements upon arrival.

But bureaucracy had a surprise ready. Another customs officer examined the power banks as if he intended to gnaw on them, handed them back to his colleague, then led us to a corner and… returned all three to us. He pointed at one of them with an accusing finger, made a monstrous face, and intoned, “NO!” with the gravity of a man pronouncing doom. Then, with a theatrical nod, he pointed to our carry-on and then to the onward customs corridor.

I translated his pantomime and solemn “NO” like this in my head: “Ideally, irresponsible foreigners, your wicked power banks should be confiscated and cremated in an industrial incinerator for purification. But since you are transit passengers, I will return your fiendish batteries and pray to whatever gods listen that they do not self-immolate mid-flight, as some models have of late. So hide them in your bag, o unwise humans, and do not flaunt them. The second chance? Don’t count on it.” We solemnly thanked the customs officer, struck appropriately mournful faces, and shuffled onward in grateful relief — credited, for better or worse, to his peculiar mix of mercy and hazy ethics.

I spent the entire flight to Japan in a state of feverish excitement — sleep was out of the question. Naturally, just as the plane began its descent, drowsiness finally struck. I woke up to Nastya nudging me in the ribs. With a knowing smile, she nodded toward the window and said, “Look who’s greeting us.”

I leaned forward, and there it was below — rising gently above the sea of clouds — Her.
富士山. Mount Fuji.
Fuji-yama, Fuji-san — whichever name you prefer.

For some, it’s just a stratovolcano on Honshu Island, about ninety kilometers southwest of Tokyo.
For others, it’s a poetic muse or a symbol of spiritual strength.
But for me — it was the sign. The proof that I had made it.
No, scratch that — I MADE IT!

All those years of dreaming about seeing her with my own eyes, all the times I stared at her LEGO version on my shelf — it all merged into that single airplane window view, freezing my breath for a few long seconds. It’s not every day your lifelong dream comes true with such a thermonuclear blast.

The thrill and tremor of first setting foot on Japanese soil were quickly muffled by tropical heat and jet lag. Following advice from a helpful chat group, and with the assistance of a smiling local woman, we bought two Suica cards — the magic plastic that can pay for almost anything: trains, subways, and even snacks from Lawson, 7-Eleven, or FamilyMart.

Then came the great Tokyo Metro quest. We spent an eternity at the station, trying to decipher which direction we needed to go. Our navigation skills in the tangled Tokyo subway were just being born, but with some luck and a bit of instinct, we managed to hop on the right train toward our hotel. We stared at each other, half-awake, grinning like fools. It wasn’t easy to fully grasp that — we were here.

Our carefully chosen hotel sat on the purple line, near Ningyocho Station — a quiet, cozy neighborhood despite its central location. Perhaps its proximity to Tokyo Bay adds a touch of administrative importance to its calm geography.

Exhaustion was taking over fast, and injecting adrenaline straight into our hearts felt… uncivilized. We grabbed a quick bite — local onigiri, for a proper immersion into Japanese reality — and returned to the hotel with a single clear mission: rest up for future exploits.

And then… the legendary Japanese toilets.
These seemingly humble devices of pure utility have evolved in Japan with a kind of breathtaking velocity. Give them a few more years, and they’ll probably start defeating chess grandmasters while chuckling cynically through built-in speakers — and uploading haiku about the human condition straight to social media.

For now, though, these marvels of engineering can — with a bit of reckless button pressing and zero Japanese comprehension — spray water into the most unexpected places, warm up the seat, perform multi-tiered flushes, and, for the shy souls among us, play soothing music or running-water sounds to create the illusion of total privacy in your little porcelain kingdom.

The next morning, though we were still struggling to fully comprehend where we were, we decided to fight the feeling head-on — by climbing the tallest broadcasting tower in the world, the Tokyo Skytree.

Every guide and traveler’s blog had warned us: in Japan, early birds get the view. The later you show up, the more you’ll find yourself simmering in a human stew with zero chance of actually seeing anything.

But alas, the observation decks and the shopping mall beneath the tower opened strictly at 9:00 a.m., leaving us with forty long minutes to admire all 634 meters of its majestic steel physique from the outside.

And here, my friends, I must pay tribute to Japanese punctuality.
If the sign says “Opens at 9:00,” it means exactly 9:00.
Not 8:59.
Not 9:01.

Sure enough, as the clock struck nine, a security guard appeared from inside, removed the barrier, and — with a grand, sweeping gesture — invited the sun-baked crowd of eager tourists inside. We were deeply grateful, having already been half-roasted under the merciless sun despite the early hour.

Inside awaited another revelation.
Yes, the shopping mall was open — but the observation decks apparently needed a little more time to “put on their makeup” before receiving visitors from around the globe. Realizing there was no point in rushing, we set off to explore the local shops, fueled by a couple of cups of ridiculously premium matcha.

When the time finally came to head for the ticket counters, we discovered the true abyss of Japanese shopping. Each new floor on the way to the special elevators was packed to the brim with boutiques, stores, and kiosks of every imaginable kind. It felt like the place sold everything — and then five more varieties of it.

Had we wandered in here without a clear purpose, our travel budget would have died a swift, spectacular death.

Special mention must go to the salespeople — an army of perfectly polite, ever-smiling merchants standing tall at the entrances, who would chant in chorus,
「いらっしゃいませー!」 (“Irasshaimaseee!”)
which roughly translates to “Welcome, dear guests! Feel at home!”

Nastya and I felt genuinely guilty for rushing past them, not even intending to enter. Their faces radiated such sincere warmth — the kind powered, of course, by the carefully hidden engine of good old-fashioned profit motive.

After cutting our way through layers of courtesy thicker than Tokyo humidity, we finally reached the counter and bought tickets to both observation decks — the lower one and the one “for people who crave vertigo.”

Nastya was skeptical at first — concrete jungles weren’t really her thing. She’s more of a real jungle enthusiast. But even her nature-loving heart froze for a moment at the sight of that breathtaking panorama — followed by a squeaky little sound of pure delight escaping her chest.

And then, to balance out all that grandeur, we noticed something gloriously absurd: on the roof of one skyscraper stood a giant golden… well… object. Nastya called it “the liver.” To me, it looked suspiciously like the world’s cheekiest poop.

A quick Google search revealed that we were, in fact, looking at the headquarters of Asahi Beer. The designer, Philippe Starck, had given this avant-garde shape the poetic name “Flamme d’Or”“Golden Flame.” It was meant to symbolize the burning heart of the brand.
The Japanese, however, collectively refused to see any flame there — and the landmark firmly entered local folklore as “the golden turd.”

Suitably impressed by Tokyo’s unique blend of beauty and absurdity — and starting to get a bit hungry — we ducked into one of the countless cafés for lunch. The portions turned out to be surprisingly generous, which, as we later learned, was pretty standard in Japanese eateries.

Full and happy, we stepped back into the sun — only to be ambushed by leather artisans from a local brand called Kissora.
Their shop was dangerously close, and their cute key holders, wallets, and bags in the most life-affirming colors were practically begging to be touched. A big shiny “TAX-FREE” sign sweetened the deal even more.

Now, the thoroughness with which my beloved wife approaches any somewhat significant purchase never fails to both amuse and terrify me.

Nastya examined dozens of models, opened and closed countless compartments and zippers, asked for other colors and sizes — all while ignoring my sighs and eye rolls with a firm, “Don’t pressure me!” The Japanese shop assistants, ever polite, just smiled and kept bringing her new options in an endless relay of patience.

We’d yet to fully realize it then, but this was our first taste of what people mean when they say “Japanese service has no equal.”

Finally, Nastya’s gaze settled on a sleek mustard-colored wallet.
And the inner battle began.
Should she spend 10,000 yen at the very start of the trip?
Or should she wait?

But the wallet had clearly cast a spell on her.
After a few moments of internal struggle, she nodded, smiled, and — with a symbolic handshake with the shop staff — the beautiful creation of Japanese craftsmanship officially changed citizenship:
from red-and-white to red-white-and-blue.

All throughout the trip, one curious thought kept bugging me:
Why the hell are there so many Italians in Japan?

Seriously — it takes them even longer to get here than us! And yet, the fact stubbornly laughed in my face with a thick Italian accent. In Tokyo, in Kyoto, even on Okinawa — they were everywhere. It felt like they were spawning near every landmark, at all hours of the day and night.

In some cafés, I even caught myself thinking Nastya and I must’ve accidentally teleported to Rome or Venice — the air was so thick with Italian chatter.

Every now and then, we had to interact — like when explaining how Japanese drink machines work. See, in theory, those sleek little robots are supposed to accept both cash and cards.
But some of them follow Japan’s rather famous principle of “cash only”, and no amount of tapping or card-waving will get you that chilled (or occasionally heated) can of tea — unless you feed them real coins and make that good old clink-clink sound.

After a few casual exchanges, I was dying to joke:
“So… is anyone left in Italy? Or did you all just move here?”
But I chickened out. Guess I’m getting old.

Speaking of linguistic adventures — one afternoon in Tokyo, after hours of exploring this magnificent, bench-deprived megacity, Nastya and I finally found a spot to sit and stretch our exhausted, buzzing legs.
Our sanctuary appeared somewhere near yet another business complex — but peace was not in the cards.

Part of it was the mosquitoes, who had discovered our blood back in the Imperial Gardens and clearly passed the word along their entire bloodsucking lineage:
“There are some gaijin around — foreigners who don’t value their blood much. A true delicacy!”

But far more persistent than the mosquitoes was a Japanese man in slacks and a button-up shirt. He sidled up to us, bowing a hundred times, and launched into an epic monologue — entirely in Japanese.

Nastya and I exchanged helpless looks.
Summoning every drop of my linguistic courage, I confessed with a sigh that my Japanese was minimal — and my speaking skills even less so.

That didn’t stop him in the slightest.
If anything, it fueled him.

He immediately switched to a wild mix of English, Japanese, body language, and something that might’ve been pantomime.

Turns out, the folder in his hands wasn’t random — he was conducting a social survey about business lunches.

When he handed me a form — filled to the brim with merciless kanji and not a single English word — I pleaded for mercy. I explained (in my best international gibberish) that my Japanese was, and I quote, “very very bad-bad.”

He didn’t care.
Smiling serenely, he explained in his personal brand of Esperanto that he’d read the questions, and I just had to pick the answers.

Realizing there was no escape, I accepted my fate and waved him on, ready to boldly go where no foreigner had linguistically gone before.
It felt like launching into orbit — a Yuri Gagarin of foreign languages, drifting through uncharted grammar constellations while dodging phonetic comets and punctuation meteors.

And somehow, it worked!
My brain kicked into afterburner mode, and I started understanding about 30% of what he was saying. I guessed the rest — and managed to give reasonably logical answers to things like:

  • “What price would you consider optimal for a standard business lunch?”
  • “When choosing a lunch venue, what factors influence your decision?”

But, as with all mortal things, my linguistic nitrous oxide ran out. On one question, I hit a wall — no amount of facial expression, pantomime, or divine intervention could help.

My interrogator, to his credit, accepted my defeat with samurai-like composure: he bowed deeply, thanked me…
…and then immediately turned his predatory gaze to Nastya, clearly preparing to question her.

I quickly bargained for mercy — suggested he simply copy my answers, only changing the gender and age boxes.

The man, visibly relieved, agreed. His sociological fervor had clearly taken some damage from my broken Japanese, and he seemed happy to call it a day.

We were about to make our escape when he suddenly produced a small plastic bag — our reward for participating.

Out came:

  • a hermetically sealed dish sponge,
  • and a pack of napkins featuring an adorable panda face on the wrapper.

This priceless treasure trove was presented to us with another series of deep bows, and our newfound Asian compadre departed, mission complete.

We stuffed our gifts into the backpack and continued on our way — blissfully unaware that this would be far from our last encounter with Japan’s love of social surveys.

Our trip to Kamakura began with a classic move straight from the “average foreign traveler in Japan” playbook — we got on the wrong train.
It took Nastya’s eagle eye to notice that something felt… off. Thankfully, we’d gone only two or three stops before she realized we were heading in the opposite direction.
Had it not been for her, I’d have happily stared out the window, admiring the scenery all the way to Sapporo, blissfully unaware.

We jumped off at the next station, crossed to the other platform, and squeezed ourselves into a Tokyo-bound train — now packed tight with locals rushing to work or school.

After the non-stop Tokyo whirlpool, Kamakura felt like a pastoral corner of peace. The only thing that betrayed its calm were the crowds of visitors, drawn in by its endless temples, a decent beach, and one particularly hefty Buddha.

By the time we’d roamed across three temple grounds under the merciless heat, it became clear we couldn’t do it all. A choice had to be made: reach the Buddha or reach the beach.
Me — a city-loving soul, worshipper of architecture and old stone — naturally leaned toward the thirteenth-century statue: 93 tons of bronze serenity, only four surviving lotus petals out of the original thirty-two.
Nastya, a child of nature through and through, gave me her best puppy eyes and whispered words like “little beach,” “water,” and “swimmy-swim.”
Needless to say, Buddha never stood a chance.

We followed the call of the salty wind — and soon found ourselves on a beach that looked nothing like those postcard tropics.
Before us stretched a sand-gray spit for miles, beaten by restless waves. The sky scowled, and the gritty, half-volcanic sand was flying fast enough to sandblast our shoes and backpacks.
After an hour, our stuff looked like it had been excavated from a dune.

Locals either sat stoically, letting the sandstorm sculpt them into human sand statues, or cautiously waded along the surf line.
We, the foreigners (along with a few other reckless tourists), ran straight into the water, howling with delight and clearly hungry for some swimming.

Well… “swimming” might be too generous a term. It was more like a chaotic mix of aqua aerobics and crossfit.
The waves weren’t playing around — they came in sets, relentless as debt collectors chasing old loans.
Every now and then, three or four giants would crash in a row, and avoiding a foamy slap to the face became an Olympic event.
We retreated to the shore several times, catching our breath and admiring the beauty of it all.

During one of those breaks, I noticed that when the water receded, the sand briefly revealed dozens of tiny triangle shapes that then vanished like magic.
Intrigued, I picked one up — it was a tiny shell, no bigger than half a pinky nail.
Imagine a baby version of a Sakhalin surf clam or vongole, shrunk to miniature.
The fun part was that as soon as the waves rolled back, these tiny creatures frantically burrowed themselves into the sand, leaving behind a bubble of air.
If you’ve seen Pixar’s short film “Piper” (2016), you’ll know exactly what I’m talking about.

After we’d jumped ourselves silly and grown seriously hungry, we decided to hunt for food before heading back to Tokyo.
Changing clothes turned into a full-blown endurance test — sand in my eyes, mouth, nose, and, well… everywhere else.
By the end of it, I’d achieved spiritual enlightenment on the topics of patience, humility, and the inevitability of sand in your underwear.

Like a pair of proper sea dogs, salty and wind-battered, we set out crunching sand between our teeth — atmospheric, sure, but low in calories.

Luckily, Nastya quickly spotted a truly local place — a kaiten sushi joint, one of those where dishes parade past you on a conveyor belt, taunting you with their glossy perfection.
You sit at the long counter, your chopsticks trembling with anticipation, waiting for the right plate to drift within reach.
When it’s time to settle the bill, the waiter simply counts your plates by color — each hue with its own fixed price.

Everything we tried was unbelievably fresh and worlds apart from the sushi we knew back home.
Experts say the secret lies in the rice. Personally, I think it’s the “I’m eating real sushi in actual Japan” effect — a kind of gastronomic placebo that makes everything taste divine.

Still, for all my bravado, I couldn’t bring myself to try natto.
Fermented soybeans. Sounds innocent enough — until you see them.
Wikipedia politely says they have “a distinctive smell and a sticky, stringy texture,” but that’s an understatement on par with calling Mount Fuji “a bump.”
To the untrained eater, natto looks like beans lovingly rolled in snot and seasoned with the ghost of gym socks.

As a friend of mine once said, natto is a “very binary food.”
You either suppress your gag reflex while swearing never again, or you inhale them by the spoonful — ideally with green onions, mustard, and a raw egg.

I stared at those natto-topped gunkans circling on the belt, hypnotized, wondering which camp I’d fall into — but my courage never quite caught up.
They floated away, untasted, into the distance.

When the bill came and we paid for every conquered plate (you’ll always be in our hearts, salmon roe gun-kan!), there was only one logical move left: crawl back to the train station, merge with our seats, and ride back to Tokyo in a blissful, sushi-induced coma.

Like true Stakhanovite heroes of the tourism front, we managed to pack a five-year plan into—no, not three years—but fifty-eight minutes.

At some point, Nastya sat up in bed, her voice filled with the kind of noble exhaustion that precedes either sainthood or cardiac arrest and announced that “we can’t postpone the Tokyo Tower any longer.”
Well, if we can’t, then we can’t.

As Maxim Gorky once wrote in his Song of the Falcon: “We sing the glory of the madness of the brave!”
He probably didn’t have in mind a late-night charge toward a red-and-white, 332-meter-tall iron beauty—but the sentiment fit perfectly.

Moments later, we emerged from the subway. Streams of tourists merged into a full-fledged river of humanity — a clear sign we were heading in the right direction and not the only ones chasing the tower’s night glow.

And then, there she was — the one whose tiny LEGO version had winked at me from my shelf for years.

Maybe it’s a matter of taste, but the Eiffel Tower — almost the same height — left me far less impressed.
We made it just in time for the final evening ascent, and stood there, gasping and “wow”-ing at the endless rivers of light stretching out in every direction.

The souvenir shop, of course, did its sacred duty — gently separating us from a few thousand yen.
It’s no surprise that throughout Japan, the art of gracefully lightening tourists’ wallets has been elevated to a fine craft.

Take one shining example: on one of the tower’s levels, staff cheerfully invite you to sit by a panoramic window for a complimentary photo.
Then, when you come to pick it up at the information desk below, they present the large, beautiful print — and with the sweetest of bows suggest “adding some beauty”: a fold-out frame, a bit of Japanese décor, maybe a touch of gold here and there.
Each option, naturally, for a modest extra fee.

But if you’ve ever seen how Japanese people package even the tiniest gifts, you’ll understand every tourist who stands there, eyes wide in aesthetic ecstasy, heart fluttering with delight, and hands diving helplessly into the wallet.

After we were politely bowed out, we went to hunt for one particular photo angle — according to blogger intel, it was hidden near the exit of an underground parking lot.

We scoured nearly every street around the tower, found several great angles — just not the one.
What ultimately stopped us was, unexpectedly, our legs.

They made it crystal clear that unless the rest of our bodies assumed a horizontal position within the next hour or two, they’d go on strike and refuse further cooperation.
After brief negotiations, Nastya and I agreed that we could live without the perfect shot — but we still needed our legs.

We crashed into bed with such force that even plane crash footage pales in comparison.
Those poor aircrafts, it turns out, don’t fall — they just gracefully land compared to how we hit that mattress.

Our last full day in Tokyo turned out to be a wild patchwork of places and impressions — and you’ll soon see why.

First up was the legendary Shibuya Crossing — proudly titled the largest and most famous diagonal intersection in Japan.
All those viral videos of crowds moving in every direction at once? That’s the one.

We managed to film our own atmospheric clip before our prime filming spot was ruthlessly occupied by the omnipresent Italians.

We were, once again, amazed at how many Italians we’d run into in Japan. But we didn’t rush off — because just around the corner stood the statue of perhaps the most famous dog in the world: Hachikō.

If you’re a hermit, social-phobic, or have somehow avoided both the 1987 original film and the 2009 Richard Gere remake, here’s a quick history recap:

In 1923, a farmer gifted a Tokyo University professor a puppy — an Akita Inu, the eighth dog he’d ever owned. Hence the name “Hachikō” — from “hachi” (八), meaning eight, and the affectionate suffix “-kō.”

As soon as Hachikō grew up, he began following his owner everywhere — seeing him off to work every morning and meeting him at the station every evening.

In 1925, the professor suffered a fatal stroke while at work — and Hachikō waited for him at the station that night. And the next. And the next.
For the next nine years.

He refused to stay with friends or relatives — returning every single day to wait.
In 1932, a newspaper article about him made Hachikō a national icon.

A statue was erected in his honor while he was still alive in 1934 — later melted down during WWII, then recast and restored in 1948.

Hachikō himself passed away in March 1935, at age eleven.
His body was found on a Tokyo street near the station, faithful to the very end.

Part of his remains were cremated and buried at Aoyama Cemetery beside his beloved master, while his taxidermied form now resides in the National Museum of Nature and Science.

All this circled in my head as we stood in line to see the statue — which also happens to be a popular meeting spot for couples.

So don’t be surprised if, at almost any hour of the day or night, you find a long queue of tourists from every corner of the globe waiting to touch his front paws — polished to a golden shine by millions of hands over the decades.

One of Tokyo’s more unexpected landmarks turned out to be an Orthodox church — the Cathedral of the Resurrection. In a country where the vast majority practice Buddhism and Shintoism, such a structure feels oddly out of place, like a matryoshka doll on a tatami mat.
When Nastya discovered it existed, I knew there was no chance we’d skip it. Truth be told, I was curious myself — at least from an architectural standpoint. 


The building is quite beautiful, though it’s endured more than its fair share of hardship over the past century. The worst blow came during the infamous Great Kantō Earthquake of 1923 — an 8.3-magnitude monster that not only claimed hundreds of thousands of lives but also leveled both Tokyo and Yokohama. The cathedral was so badly damaged that one could rightfully say it was reduced to dust. Only years later was it rebuilt and consecrated anew.

Inside, it’s surprisingly both cozy and solemn. At first, the kanji inscriptions above the familiar Orthodox icons are a bit confusing — but then you remember, oh right, we’re in Japan, and your brain politely stops arguing with reality.

To test our freshly issued Kazakh bank card (long story), we bought tickets to teamLab Planets. After queueing for nearly forty minutes, we finally made it inside — and instantly understood why the ticket said you could re-enter any of their exhibits within twelve hours of activation.

Picture a massive hangar divided into three zones: Water, Forest, and Garden. Every installation lies somewhere between modern art and interactive wonderland. To describe them properly would be a crime against their magic — this is something you simply have to experience for yourself.
In rough terms, teamLab Planets is what happens when you give someone an empty aircraft hangar, a few hundred projectors, and unlimited imagination.

“Water” and “Forest” are immersive in that futuristic, otherworldly way that only the Japanese can pull off — but “Garden” stands apart. Rumor has it there’s something similar in Moscow, but here’s the gist: you walk into a vast mirrored chamber — walls, floor, and ceiling — and suspended in midair, on nearly invisible threads, float hundreds upon hundreds of live orchids. They form a glowing, fragrant canopy just above your head.

The best way to experience it (and almost no one does) is to move slowly, allowing the orchid clusters to gently lift and settle behind you as you pass. At some point, you realize you’re surrounded by flowers on all sides — and because of the mirrors, it feels like thousands.
Honestly, I almost regretted having already proposed to Nastya. The room has that perfect alchemy of romance and grandeur that begs for someone to drop to one knee.

After our floral enlightenment, we decided to go through the exhibits once more — but first, a pit stop. Luckily, a food court sat strategically nearby, and one humble-looking ramen stall caught our eye. The sign boasted that it had been listed in the Kyoto Michelin Guide four years in a row. Only one thing gave me pause: the word “vegan.”

Now, full disclosure — I’ve always been suspicious of vegetarian dishes. Maybe I’ve just had bad luck, but in my experience, a “meatless” version usually tastes like a flavor downgrade.
But, oh sweet Shinto gods, this ramen was a revelation.

I have no idea what kind of MSG sorcery was used, but the broth was heavenly — rich, silky, meaty without meat. I inhaled my portion at warp speed and, in a moment of blissful delirium, might’ve even gnawed the spoon a little. The noodles were impossibly tender, soaked in that fragrant broth, while the grilled vegetables added just the right crunch — together forming a perfect symphony of taste that took you by the hand and led you onward:
from one spoonful to the next, from one slurp to another.

Halfway through, the spice kicked in — but by then, resistance was futile. The world shrank down to a single bowl of ramen before me. In a giddy state of hedonistic trance, I kept spooning it in, ignoring the sweat pouring down my temples, until finally, I reached the bottom.
I scooped up the last drop, exhaled a primal sigh, and only then returned to the real world.

That, my friends, wasn’t just noodles in broth.
That was a religious experience of culinary rebirth.

Later, we caught the subway back to our little Ningyōchō neighborhood, which by now felt as cozy and familiar as an old haori. But alas, the time had come to pack our suitcases. Ahead awaited the city I’d been most eager to see — Kyoto.

We’d be traveling there on the legendary Shinkansen, Japan’s bullet train. I kept wondering whether the coquettish Fuji-san would reveal herself during the ride — maybe even just for a moment — as we’d rocket from the new capital to the old at 320 km/h.

As it turned out, Mount Fuji would be the least of my concerns on that trip.
But that, my friend, is an entirely different story. つづく(to be continued)


                                                                                                                               
                                                                                                                               つづく(to be continued)

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  Кольца, платье, два букета Планы. Интересная вещь. Мы очень любим их строить и сильно расстраиваемся, если что-то идёт не в соответствии с ними. И неважно, что некоторые рисуют себе заранее неосуществимые цели, уверовав всяким проходимцам и инфоцыганам, которые проникновенно заглядывают им в глаза с просторов интернета и уверяют, что вот конкретно ты можешь добиться вообще всего! Чёрта с два. Без выделения приоритетов и осознанного отказа от чего-то, что было тобой же классифицировано, как «второстепенное», получится только поверхностно распылиться на всё подряд и, в итоге, особо нигде не преуспеть. Поэтому так важно к планированию добавить планомерную подготовку. Получается эдакая формула «5П»: планирование + планомерная подготовка = по-любому получится». К свадьбе мы начали готовиться практически за год. Ну, то есть непосредственно после того, как я бахнулся на колено и поставил вопрос бриллиантовым ребром. Турция, балкон, закат – сами понимаете, у Насти почти не было шансо...

Выставка "Мечта 15-летней выдержки". Гравюра 1

プリント 1 :東京 ( Гравюра 1: Токио ) Паром, несмотря на все свои тонны водоизмещения, элегантно скользит по волнам. Вода вырывается из-под его носа белыми бурунами с деликатным, но всё равно внушительным «фффссс-шшш!». Тропические острова с шикарными пляжами и бесстрашным рыбами постепенно тают вдали. Впереди у нас, метафорически, длинный перелёт домой, а фактически – портовой город Наха, столица Окинавы. Стоя на носу мерно покачивающегося парома и обнимая жену, мне с трудом верится, что прошли целых 15 дней нашего путешествия по стране моей мечты. Хотя, где-то глубоко внутри я рад, что путешествие стремительно продвигается к финальной фазе и уже совсем скоро можно будет переварить фантастически огромное количество полученных за эти 2 недели впечатлений. В Японию я хотел попасть, ещё будучи студентом и пронёс это желание сквозь многие годы. Когда скопленная сумма начала походить на ту, которая нужна для качественного путешествия, мало-помалу начал примешиваться страх и нерешительность...

ССЗ или Слава Сайтам Знакомств

  Как-то одним томным вечером, моя единственная и ненаглядная жена обратилась ко мне с весьма занятным ТЗ: Муж, говорит, ты же всякие свои истории пишешь, так? Напиши историю нашего знакомства, но так чтобы она была как бы с твоей точки зрения. Интересен ход твоих мыслей, что ты чувствовал и как реагировал. Особенно интересны такие вехи как: первое знакомство, принятие решения жить вместе и предложение руки вместе с сердцем до кучи.  Я совсем редко пишу что-либо «на заказ», и такая постановка вопроса с одной стороны озадачила, а с другой заинтриговала. Воскресить в памяти фактологическую часть перечисленных событий – не проблема. А вот вспомнить, что тогда думал и чувствовал… Задачка нетривиальная. Что ж, попробуем. Оранжевый рюкзак как средство соблазнения Первая встреча состоялась благодаря…сайту знакомств. К тому времени я уже сходил на такое количество Тиндер-свиданий, что они начинали ощущаться как собеседования по приёму на работу. Я как-то смотрел интервью Пола Радда (э...